Thursday 29 September 2016

Star Trek - The Kobayashi Maru

"It was a no-win situation," Kirk told him.  "No matter what you did, or how hard you tried, you always lost.  All the possible decisions were wrong."

The Kobayashi Maru (1989) (#30 Titan, #47 Pocket) is by Julia Ecklar of L A GRAF fame.  This novel however, is one of her earliest works, some three years before her first outing as L A GRAF (Ice Trap - 1992).  The writing in this novel is pretty strong, confident and well considered and takes on a slightly unusual format.  The structure of the narrative is separated between the events that Kirk, McCoy, Sulu, Chekov, and Scotty experiencing in the present and their (with the exclusion of McCoy) memories of the Starfleet Academy test they took as cadets.



As many of you will no doubt know, the Kobayashi Maru is an unwinnable simulation which command cadets were required to undertake as part of their training.  One cadet would be selected to be captain of a constitution class starship and they would be backed up by their 'crew' of classmates as bridge crew and engineering etc.  The simulation would present the cadets with a problem, while patrolling the space on the boarder of the Klingon neutral zone, they would receive a distress signal/communication from a freighter within the neutral zone.  The cadet captain would have to make decisions against rapidly diminishing odds of success; the computer compensating for a cadet's successes with even more overpowering odds.  The Kobayashi Maru simulation is a no-win situation.

The novel begins with a shuttle accident due to a 'gravitational mine', Sulu and Kirk are injured, while McCoy, Chekov and Scotty are unscathed.  The shuttle is irreparably damaged, and aside from minor repairs in order to keep themselves alive, they must wait until Spock, in command of the Enterprise, finds them.  This is no easy task as their communications are down and the distortions in this area of space would prevent Enterprise from finding them with any ease.

Their situation reminds them of the no-win scenario 'The Kobayashi Maru', which was kept a secret from class to class.  McCoy, who is the only one of the group to have not taken a test (having not gone into the command academy, being a medical officer) is intrigued and encourages everyone to recount their experiences of the simulation.  Two of the stories are told very well, one of them is a little bit long winded and one is a little... stereotyped.

Kirk is injured during the initial accident, seriously damaging his knee, which keeps him essentially immobile for much of the duration of the 'present time' story.  His story is the first told and one of the better ones.  Essentially Kirk in his youth was not unlike Kirk in the present, he has never and will never believe in a no-win scenario.  Having failed the scenario in under five minutes, he refuses to be beaten and throws himself into study of famous tacticians, captains and battles.  He tries again, but again fails (though he believes he was marginally better this time), and one of the instructors takes pity on him, telling him he is the only one to have taken the scenario twice and that The Kobayashi Maru test was unbeatable.  This infuriates Kirk, he doesn't believe that it can't be beaten so commits himself to fervent study.  After a fateful conversation, he comes to the conclusion that if the program cheats, then he should be able to cheat also and reprogrammes the simulation to 'even the odds'.  In fact, he adjusts the scenario so that when he introduces himself, the Klingons recognise him and help him recover the Kobayashi Maru.  At the end of the test, Kirk is dangerously close to being reprimanded, however his solution is finally recognised as brilliant and 'creative thinking'.  Kirk's solution is simple - he bends the laws of the universe to his own will, much like he does in his later adventures.  I'll hazard a reference to the 'Romance' of Killing Time, in any reality, Kirk must captain the Enterprise, Spock must be at his side and if this balance is upset, reality itself will bend to accommodate it.  Kirk must prevail.

Back in the present time, McCoy is amused and comments that he should have guessed that would have been Kirk's solution; Chekov is shocked and a little hurt that his hero cheated the test.  Sulu who is badly injured and rendered immobile remembers Chekov's solution.  Chekov begrudgingly recounts his solution.  Unlike Kirk's story, the actual events of Chekov's Kobayashi Maru experience are not the focus, but lay the foundation for Chekov's solution to a second, new cadet training scenario.  Chekov's solution was to blow up his ship's four antimatter drives, destroying the attacking Klingon forces, but also killing his crew which he had admittedly attempted to save by evacuating them (he reasons that capture by the Klingons would be a worse fate than death).  Another effect of the detonation would be that that area of space would be a virtual communications black hole, the Federation would not be able to operate in or observe the area.  Chekov is unrepentant however, and his attitude soon sets him up for a fall, there is a lesson to be learnt.   The majority of Chekov's narrative is concerned with a 'survival test', in which the cadets are confined on a station and are told that there is one assassin (they are not told who), and that they have to survive.  Chekov (who idolises Kirk) is determined to be the best and to be the last one standing and through cunning and deception ensures that, when faced with falling at the final hurdle, ensures that everybody else falls with him.  The instructor announces that all the cadets have failed this scenario, and that there was only ever one cadet to pass, James T Kirk, because he realised he could beat the scenario by securing an important area and only allowing people in if they gave up their weapons.  As such, nobody 'died' because of his intelligence and charisma, his 'command'.  Chekov's 'Kobayashi Maru' story disappointing to me, because, firstly, he seems a little out of character.  I mean, I know he's Russian but please, he acts like the stereotypical KGB agent, suspicious, paranoid, ruthless, unable to understand people who do not think in a Russian way (whatever that means).  Secondly, his only purpose seems to be to make Kirk shine even brighter, this is highlighted by Chekov's account following directly after Kirk's and the references to Kirk's achievements within it.  I don't really recognise Chekov, even when compared with 'Ice Trap', so I'd hazard a guess that Ecklar's hand was in the Kirk/McCoy adventure than Chekov and Uhura's.

Returning once again to the present time, while Scotty is in the process of jury-rigging a device that will save them from danger and hopefully attract the attention of the Enterprise, the four men in the shuttle listen to Sulu's experiences as a cadet.  He warns them that unlike Kirk and Chekov's tales, his is not amusing.  Much of Sulu's account is concerned with events leading up to taking the test itself: starting at the command academy, the decline of his great grandfather's health, learning philosophy and responsibility.  Sulu learns the burden of choice, of command and the value of life (the death of his great grandfather).  His own solution to the Kobayashi Maru is to not enter the neutral zone to investigate the distress call, and to continue to his original destination, thus completing the simulation without conflict; he narrowly avoids mutiny in the process.  Sulu's story is probably the most touching, and I think one of the most in character.  Sulu is certainly portrayed as the most wise and emotionally mature.  Kirk, Chekov and Scotty all approach their simulations as a game to be beaten, whereas Sulu approaches it with wisdom and makes the toughest command decision, to preserve his ship and the lives of his crew, even risking mutiny in doing so.

Scotty is injured while outside the shuttle, but he manages to do the necessary work and returns to the others.  After his injuries are tended to, he tells his story.  Scotty didn't want to be in command school, he would much rather be in the engineering section, however he was pressured by his family into command.  His engineering designs catch the eye of an instructor, who realises that Scotty is wasted in command.  Scotty is asked a question, if he could be transferred to the engineering section in such a way that his family would accept it, would he transfer.  Scotty answers that yes, he would.  Scotty soon finds himself in the simulation's command chair, and destroys multiple Klingon ships, however, the computer always generates more, in a final attempt Scotty uses 'Perera's Field Theory' into action, destroying fifteen war dragons in pursuit.  After the simulation ends, he is questioned by the admirals and instructors who had been watching.  Essentially, Scotty had used an obsolete theory, but the computer's calculations had allowed it to happen.  Scotty realised that the computer would calculate 'Perera's Field Theory' as correct, and used its error to try to beat the simulation.  It is later revealed during this exposition that Scotty was the engineer that proved the theory incorrect, and he did so at the tender age of sixteen.  At this revelation, the admirals realise he is wasted in command, and transfer him back to the engineering decision.  Essentially, Scotty's story highlights Scotty as a genius, but as a fish out of water when it came to command academy.

With all the tales told, the five men await their fates in the shuttle.  They realise that, although they managed to save themselves from one danger, the Enterprise has not seen them.  Kirk, who has been strangely passive throughout the present day narrative (mainly due to injury) struggles to accept that this is the end.  Even as he gives into exhaustion he maintains he doesn't believe in a no-win scenario.  Waking suddenly, he reveals he has a plan, and the crew coax the last life out of the shuttle's circuits and Kirk brings the best out of his crew, pushing them to their limits.  Kirk's plan works and they are spotted by the Enterprise.  The resulting scenes of reunion are strangely satisfying, they gave me the warm and fuzzies!  Spock welcomes them back to the Enterprise and helps Kirk away from the shuttle; the end is quite tender and sweet, wistful almost as Kirk thinks on the experience in the shuttle and the lessons learnt as cadets.

Sorry! That 'summary' was longer than I meant it to be, I've left the 'present day' story vague, so I haven't spoiled too much (hopefully).

I really enjoyed this book, it was for the most part satisfying and gave me the wonderful fuzzy feeling on finishing it, but it isn't without problems.  Stylistically it's pleasant to read, the framing narrative is well developed and interesting on its own, and the character development is pretty good; shouldn't it be scoring higher than a 3/5?  Ecklar is good, but she's no Greg Cox or John Vornholt, and ultimately, 'The Kobayashi Maru' is very, very safe.  If you read Vornholt's 'Sanctuary', there is a massive amount of world building and scores of new characters introduced, but the 'The Kobayashi Maru' is just so much more limited.  There is also a sense of claustrophobia in the narratives, the framing narrative is within the confines of a failing shuttle, Kirk, Scotty and Sulu's stories take place almost exclusively in the confines of the academy and Chekov's story again takes place in a confined space.  I'm not sure whether the sense of claustrophobia is deliberate or not, or whether the circumstances of the framing narrative had an effect on Ecklar's depiction of the simulations.

I did really enjoy the character development, and it was interesting to see Kirk 'out of action' as it were until the end.  Funnily enough, even though McCoy had no story to tell, his development and actions in the framing narrative were really insightful.  I'm sure Ecklar wrote the Kirk/McCoy narrative in Ice Trap.  The one complaint I do have however, is how Chekov is portrayed, I think he's pretty out of character, especially in his simulation story.  I get the feeling Ecklar didn't know what to do with him, so she relied heavily on a Russian agent / KGB characterisation which was pretty shallow.  Chekov's story really seems to be there to highlight how awesome Kirk is, and to give an extra titbit of information about Kirk's other performances at the academy.

If you've read this far, well done!  You can probably guess that I'm going to recommend this book to pretty much everyone!

3/5 - I don't believe in a no-win situation.

P.S.  It got me thinking - what would I do in a Kobayashi Maru situation?  What would you do?

Sunday 25 September 2016

A note on Pocket Books, Titan Books & Simon & Schuster Editions.

***Warning - the content of this post is exceptionally dry***

So until recently I hadn't really looked up the differences in editions.  I had been confused as to why the numbering was different between the US Pocket Books edition and the UK Titan Books edition.  I was also wondering why newer books in the UK were being published under Simon & Schuster and not Titan and why I have an Orbit edition of The Entropy Effect.  Another query I had was why all the numbering has been dropped.  I'd also noticed there are new editions of the older novels coming out from Simon & Schuster.

I may have all the answers now (and perhaps a few answers to questions I hadn't asked...)

Pocket Books & Simon & Schuster (US) (UK 1993 - present)

Pocket Books is a subsidiary of Simon & Schuster.  Simon & Schuster was sold to Gulf+Western (also owners of Paramount Pictures) in 1975.  Simon & Schuster was incorporated into Viacom in 2002.

Pocket Books acquired the license to publish Star Trek fiction in 1978 because Gulf+Western wanted to develop a book line alongside Star Trek: The Motion Picture.  Pocket books then became the sole officially licensed publisher for Star Trek novelisations.

The TOS novelisations are numbered to 93 - In the name of Honor (2002) - subsequent installments are left unnumbered.

After Titan Books' final release in 1993, Simon & Schuster published under the Pocket imprint in the UK.

Titan Books (UK)

Titan Books (a division of Titan Entertainment) was the UK publisher for the Star Trek novels as published under Simon & Schuster's Pocket Books.  Titan Books has it's own numbering scheme because it started serialisation with Pocket's latest release - Chain of Attack (Pocket #32) - and opted to slot in the older novels between new novel releases.  In addition to being out of sequence with Pocket Books' numbering, Titan Books also opted to release the longer Pocket series novels as repackaged 'giant novels' which were also not allocated a number; four 'giant novels' were released in total.

The final numbered TOS novel published in the UK by Titan was The Great Starship Race (1993), and was numbered 62 (Pocket #67), after which, Pocket Books released further TOS novels through Simon & Schuster UK.

Whitman Books (US) & Bantam Books (US)


Before Pocket Books,  Whitman Books published a single volume 'Mission to Horatius' in 1968.  Bantam Books then published 16  original Star Trek novels starting with 'Spock Must Die' in 1970 and ending with 'Death's Angel' in 1981.  Bantam reprinted their 16 Star Trek novels throughout the 80s and 90s.

Between 1967 & 1978 Bantam books also published TOS episode adaptations.

Ballantine (US)

Published a line of animated series novelisations between 1974 and 1978.

Wanderer Books (US)

Published four books by William Rotsler in 1982 and 1984.

Archway Paperback (US)

Archway Paperback is an imprint of Pocket Books which is a division of Simon & Schuster.  Archway published two Star Trek game books in its series of 26 in 1984 & 1986.

Corgi Books (UK)

Corgi Books published seven Star Trek novels from the Bantam Books range starting with 'Spock Must Die' in 1974 and finishing with 'Mudd's Angels' in 1978.  In the series of reprints in the 80s, only six were reprinted.

Corgi books also published Ballantine's animated series novelisations.

Orbit Books (UK) 

In the UK, Orbit Books published one Star Trek novel 'The Entropy Effect' in (1981).  This book was number 2 in the Pocket Books range in 1981 and number 17 in the Titan Books range in 1988.


Simon & Schuster are currently in the process of reprinting selected TOS novels as well as continuing to publish new volumes.  I'm not sure how I feel about the covers to be honest!  They have decided to do away with the older style painted covers in favour of photoshopped images.  While I'm not surprised, I can't say I like the change.  The older covers have so much character, and most of the newer covers are just generic, although some are quite pretty.

Titan, Pocket & Reprint Entropy Effect Cover.

Ok, so perhaps the Entropy Effect (urgh Vonda McIntyre) wasn't the best example, but it is one reprint with a redesigned cover I happened upon the other day while on a book hunt.  While I'm not fond of the original cover, it does have a certain character to it.  I mean, you can't mistake it for any other cover, Sulu with long hair and a droopy tache, the deliciously dated graphics that scream that particular late 70s early 80s aesthetic.  The new reprint could be anything, any story with Spock under some kind of psychic strain; I just don't find it that appealing. 

Anyway, I hope you found this interesting, it was really for my benefit for getting it all straight in my  own head.  I realise there are reference books and the like as well as Shatnerverse novels which do not fit into continuity of the Pocket novels, but for the purposes of this post I'm leaving it with this.  It's probably for the best, after all, when I was talking to my family about this they maintained a glazed expression for almost the entirety of my excited and interested spiel.  I find publishing histories and such quite interesting, but then again, I do tend to like quite dry subjects...

If I find anything else interesting regarding publishing and such I'll add to this post.


References:

http://memory-alpha.wikia.com/wiki/Novels
http://memory-alpha.wikia.com/wiki/Pocket_Books
http://memory-alpha.wikia.com/wiki/Titan_Books
http://www.simonandschuster.co.uk/
https://en.wikipedia.org/wiki/List_of_Star_Trek_novels
http://www.tonystrading.co.uk/galleries/tvscifibooks/startrek02.htm

Monday 19 September 2016

Star Trek - Sanctuary

'Fascinating,' remarked Spock.  'Apparently, the purpose of this society is to make people feel welcome.'

Star Trek Sanctuary (1992) (#56 Titan, #61 Pocket) is a novel by Star Trek veteran John Vornholt; he does not disappoint with this installment.  Sanctuary, presses all my buttons.  It's very well written, multiple narratives, good pacing and dialogue and also, the story itself is unusual.  If I had to try and put a finger on the influences, I'd say it's a weird hybrid of Brave New World and The Island of Doctor Moreau (it took me a while to pin down why I felt so familiar with the book, there might be something else I'm missing).

The cover, is pretty beautiful but unfortunately doesn't have the third person of the trinity on it (like the Holy Spirit, McCoy is often forgotten) which is surprising because he is also one of the main players in the story.  It's also pretty disappointing,  as this painting is really pretty and I would have loved to have seen McCoy rendered with Kirk and Spock here.  That's just a personal gripe though, it's just the cover!

The initial premise is deceptively simple.  The Enterprise is in pursuit of a dangerous criminal 'Auk Rex', the chase brings them into a sector of space previously unexplored by Starfleet and a planet, previously only considered a myth, called Sanctuary.  This planet is considered the last refuge of the persecuted, renowned amongst the criminal underworld.  Auk Rex flees to the planet, closely pursued in a shuttlecraft by Kirk, Spock & McCoy.

Upon entering the atmosphere of Sanctuary, communications are lost, however Kirk continues the high speed chase with Auk Rex, until finally the pirate crashes into the mountain side, ejecting escape pods at the last moment.  Kirk, Spock and McCoy land their shuttle in an effort to look for survivors, however, after searching for the rest of the day, it appears that Auk Rex has, for the time being, escaped.  Returning to the shuttle's landing site, they find that it has vanished.  A white robed figure greets them - Zicree - and introduces himself as a 'Senite', a race of androgynous beings who inhabit Sanctuary.  Although initially pleasant, even in its refusal to return their shuttle to them, it soon becomes hostile when it learns that the landing party are Persecutors, and not the Persecuted and promptly disappears.

Meanwhile Scotty, who has been left in charge of the Enterprise in Kirk and Spock's absence is contacted by an old Klingon commander whose ship is one of several orbiting Sanctuary.  The Klingon commander informs Scotty that the landing party is lost to them, since there is an impenetrable shield surrounding the planet which allows no communication or ship back through.  Scotty is shocked to hear that Kirk, Spock & McCoy are stranded on Sanctuary, but bluffs, trying not to let the Klingon commander know how ignorant the Enterprise crew are of the situation.  The Enterprise maintains orbit with the Klingon ship and the other bounty hunters.

Vornholt manages to maintain two interesting narratives.  One is the narrative on the surface of the planet with Kirk, Spock & McCoy, and the other is up on the Enterprise with Scotty in command;  I think this is where Sanctuary is head and shoulders above Ice Trap.  Vornholt manages to weave an interesting narrative for the stationary Enterprise while its commanding officers are absent and the action is else where.  In Ice Trap  the Enterprise is cut off from contact with the landing teams due to electrical interference, which is very similar to Sanctuary however, Ice Trap does not give us any insight to the drama or work being done in orbit, there is not the slightest bit of narrative.

I rather liked Scotty's story.  We get to see him playing the diplomat and building relationships with a Klingon commander and a female bounty hunter, and trying to give Kirk, Spock & McCoy enough time to find a way back while Starfleet is trying to call the Enterprise away to another mission, accepting that the landing party is lost.  This part of the story just gave the whole situation more urgency and also allowed Scotty to have some much needed attention.

The main narrative, as I mentioned before, ticked all my boxes for an enjoyable read.  I can tell you that for once, I didn't expect the shocking reveal.  I feel like I really should have, because the narrative is so familiar, which makes it pretty frustrating!

The events of the novel do actually take some time, perhaps about a week in total (without reading it again and making a note of the days passing, I can't say for sure) as there is a lot of time lost travelling from point to point and it takes some time for the landing party to get their bearings.  During the course of the novel we meet several different groups of people living in their own communities: the wildmen in the mountains, the isolationists, the revellers on the coast, the 'intellectuals and women' on their idyllic island, the Senites and the pioneers at the ship graveyard.  Each group either accepts of rejects the hedonistic ideals of Sanctuary; this is where I get the biggest jolt of familiarity.  If you've read Brave New World you'll understand where I'm coming from.

On the surface Sanctuary is the perfect... sanctuary, in that, not only are the people who flee there permanently free from their persecutors, but they are also cared for by a, for want of a better word, monastic cult who don't appear to want any payment in return for their services and aid.  Those who have sought sanctuary are encouraged to live a hedonistic lifestyle, the Senites even provide themselves as prostitutes to sate the predominantly male population of Sanctuary (at the coast).   The Senites use pleasure and hedonism and consumption to stop their charges from thinking. However, Kirk, Spock & McCoy do meet other groups who do no trust the Senites.  The first group is a small group of criminals who reject the Senite hospitality and prefer to live their lives in the mountains, keeping to themselves.  Another group are isolationists, who refuse contact with those outside their hidden community.  There is also another group which get skimmed off by the Senites, all women and intellectuals who perhaps are seeking political asylum or are born on the planet live in comfort on an island which also the location of the Senite monastry.  Finally, there is a group of people living away from society in the 'ship graveyard' who live to try to find a way to escape Sanctuary, using the husks of ships they are left with after the Senites remove essential components.

The big twist (skip this paragraph if you don't want spoilers) is that the Senites, drug and then process the criminals in order to 'reproduce'.  They can't reproduce themselves, so they physically alter the criminals, castrating them, chemically and genetically altering them to create the illusion of unity, or a species.  They also brainwash them so they all think the same too.  Any individual too unlike themselves gets terminated during processing.  The processing plant is a particularly harrowing situation, especially since our three favourite officers are completely dependant on outside help.  The whole idea of this processing plant really disturbs me, and I couldn't help thinking how utterly miserable Kirk would be post castration (and I doubt any brainwashing would work on him anyway!).  The scenes from the Senite factory, really are horror material and stick in my mind most vividly.  Sensationalist, yes.  Enjoyable (in a macabre way)? Certainly.

This processing of sentient beings and the stratification of the society based on intellectual ability, the travelling from society to society together with the hedonism and consumerist ideology is why I associate this instalment so strongly with Brave New World.  The horrendous events in the Senite factory makes me think of The Island of Doctor Moreau, and the vivisection of the animals, making them something other than they are.

All the characters a brilliantly written,  Kirk, Spock & McCoy are all on point, as is Scotty.  The new characters introduced all have a life of their own; I couldn't help liking the Klingon commander or Billiwog or Renna or really disliking the Senites!  There are of course many more, there are a lot of characters introduced, sometimes for only a short while but all pretty believable.  Even each Senite retains a little bit of personality and you can't help but laugh at their frustration at Kirk, Spock & McCoy.

I could just keep going but I'd end up forensically analysing this book and killing it for anyone else.  I can't really fault it, it's good fun, it's interesting and worth the time spent reading it (and in my case, reviewing it),  Just read the book, go now and get it, before I start nattering again.  Shoo!

Essential shelf addition - 5/5 

Friday 16 September 2016

Star Trek - Devil's Bargain

'The problem is twofold,' Spock Replied.

Devil's Bargain is written by Tony Daniel a veteran sci-fi author who has already penned another Star Trek novel Savage Trade (2015).  Devil's Bargain is a relatively recent release (2013) and is almost entirely sensible.  It's so sensible in fact, that I put it down and read another novel before picking it back up again, forgetting half the story in the process.  It just didn't do anything for me.


As you might have guessed from looking at the cover (and previous posts), this novel was a recent purchase and selected on the grounds that it has Spock on the cover... I actually don't like the cover much, I don't really understand why Spock is red and the background is industrial and grey... it doesn't really fit with the the actual content of the novel.

The premise of Devil's Bargain is a simple (and well worn) one, Enterprise is sent to a frontier colony in the Omega sector - Vesbius (people really should stop foreshadowing their own disasters) - to evacuate the planet before an unstoppable meteor decimates the planet, causing an extinction level event.  However, the colonists refuse to leave the planet, preferring to take their chances with the meteor, claiming that their lives depend upon staying.  In the face of their refusal to leave the planet (a veritable Eden) the Enterprise crew must find a way to save the colonists.  In an inspired moment, Spock suggests they enlist the help of the Horta in order to have them tunnel and break the meteor into smaller pieces.  It's easy peasy, grab the Horta, get back to the planet, get the Horta to munch through the meteor, simple!  And that's pretty much how the 'action' of the narrative plays out.

Genetic engineering is generally considered a bad thing in the Federation, and is especially contentious to Kirk;  the genetic engineering on Vesbius is not particularly different.  Although the original purpose of the genetic engineering is a sincere desire to remain on Vesbius and it's Eden like habitat, it soon twists certain individuals into supremacists, ala Khan.  The vast majority of Vesbians are peaceful people, but there are elements in their council who want to subvert the peaceful populace... zzzz... *yawn*.  Basically, terrorists, xenophobia, irony that Spock comes up with the idea to save them...

The terrorists simply wanted to leave the planet.  I don't really see how this was a problem since they would die anyway within a couple of weeks and it's unlikely they could reverse engineer themselves in the time they had remaining... Surely, surely they could have just been allowed to leave and then the problem would solve itself?  It doesn't make a lot of sense either, since they want to leave and they are also horrendously xenophobic.  I can't even reconcile this plot point to the rest of the narrative, but I guess Daniel wanted to bring some sort of sentient villainy into the genetic engineering story line.  Oh! And someone had to blow up the Vesbian emergency shelters and highlight that they were badly made and wouldn't survive the extinction level event.

The teenage Horta were quite irritating, but then, I can't think of a teenager who isn't, so perhaps the characterisation gets a pass.  This narrative thread involves Spock making a bargain with the Horta, that if some of their number come and help Vesbius then he will stay with them and be their 'All Mother', because the original mummy Horta is dying and the teenage Horta are afraid.  They are pretty much characterised as whiny children, and do the equivalent of throwing poo at each other, causing arguments.  After many misadventures they do pull through however and help save Vesbius.

Also, they create a new clan and one of them wants to join Starfleet.  Kirk thinks that this one Horta could one day Captain a Federation starship...  Yes... Sure, whatever you say Kirk.


Kirk falls in love with an important daughter of Vesbius, and walks right off the cliff we call characterisation and into the sea of parody.  They fall in love, have sex, and Kirk becomes pretty obsessed.  The absolute worst part of this is that we get these long internal monologues from both parties of how this has to be temporary, but their love is beautiful, but perhaps Kirk can leave Enterprise and forget the stars to be with her, but no, alas he can't survive on Vesbius because of the genetic engineering...  I can't even put a humorous spin on this.  I'm sorry.

I have to disagree with Spock,
the problem isn't two fold.  There are many, many more problems with this instalment than two.  The worn out narrative and it's uninspiring characters, the bad characterisation which makes the crew seem like parodies of themselves are problems.  Daniel tries to pull in too many threads, too many story lines from the series and failing to do any of them really well.  The humour is missing and Daniel just takes it all so seriously that it becomes boring.

I'm sorry, but I just can't recommend Devil's Bargain - 1/5.

((I didn't like writing this review either... It's just... not very inspirational))

Thursday 15 September 2016

Star Trek - Ice Trap

'I don't like water, Jim.'  Kirk blinked and stared at his friend.  'It's not water, Bones, it's ice.'

Let's face it, I'm a sucker for a pretty cover, and when I was sorting through a haul of books from ebay 'Ice Trap' caught my attention.  McCoy looking resolutely out  from the centre unusually draws your eye more than Kirk does... and why shouldn't he, that dashing southern gentleman.  Jen, I say to myself, you've given far too much attention to Spock lately, share the love with the good doctor... and so it begins.

Unusually, there's no biography for the author in my copy (Titan Books edition - UK publisher) like in so many others, so I looked online.  I had a bit of a giggle then (and felt a little stupid) - L.A. GRAF and acronym for Lets All Get Rich And Famous, chosen as a pen name to cover a writing team of 2-3 authors, all female.


I'd realised that L A Graf was female, the writing is pretty feminine and now that I know there is more than one writer, I'd hazard a guess that the parallel narratives were split between them, with perhaps one writing the Kirk/McCoy sections and another writing the Uhura/Chekov sections.  Perhaps this adds some strength to the writing, because they actually successfully focus on two relationships/groups of people, lavishing as much attention on one as much as the other, which works rather well.  This lends a welcome change of pace to the story as the author(s) doesn't rush one section in order to get back to the bits they really want to write.

Ice Trap begins as an investigation into the disappearance of a shuttle carrying civilian research scientists and the subsequent rescue attempt which quite rapidly goes south.  The planet Nordstral is, as the book title might suggest, an inhospitable ice planet home to an indigenous people, the Eskimo Kitka, who have a strangely close relationship to their planet.  The planet also has a valuable resource, the plankton that live in the icy waters under the ice (Spock would contest the use of that word), and harvested in great quantities, for undoubtedly great profit.  Nordstal has a few problems however, cases of madness have occurred amongst the Norstral Pharmaceuticals staff and fierce electro-magnetic storms have become a regular occurrence, rendering much technology useless.  Delegates of the Enterprise crew find themselves cut off from their ship and relying only on themselves for survival.

As I mentioned before, there are two narratives in Ice Trap - one centres around Kirk and McCoy on an underwater adventure, while the other follows Chekov & Uhura (and their posse of red shirts) making contact with the Nordstral natives and surviving being hunted across the ice.  Spock is relegated to a minor role commanding the Enterprise in Kirk's (and pretty much every commanding officer's) absence.  Spock doesn't seem to be a favourite character for the ladies behind Graf, in fact they manage to make him remarkably superficial and incredibly irritating, lazily writing him as a tone-deaf, humourless, pedantic...Vulcan.  In this case, he's just a foil for McCoy.

And this is where it gets fun.  I think it's fairly obvious there's a 'shipping war' going on between the various novelists, and in this instance we have shots fired from the KirkxMcCoy side.  Kirk and McCoy's deep sea adventure is wonderfully dramatic and camp.  Much of the narrative comes from McCoy's perspective, namely to allow McCoy's insecurities to be the most pronounced.  McCoy doesn't like the water and hates the idea of being in a submarine under the ice, but is talked into it anyway.  Kirk picks up on McCoy's unease (it's pretty obvious) and the following scene ensues:

"Kirk surprised his friend by leaning down and placing a firm hand on the bed to either side of McCoy, effectively trapping the doctor where he sat.
'What's eating you?'
'Nothing's----'
'Bones.' He spoke quietly, without annoyance, and drew McCoy's attention like filings to a magnet.  Blue eyes met hazel ones of an intensity the doctor had never experienced with any other single human being. 'I need you with me on this one.  I need your way of looking at things to help me figure out what's happening on Nordstral.  I can't do it by myself.'
Staring into those eyes, McCoy found himself wondering just when he decided he would die for this man."

Ladies and gentlemen, you've entered the slash zone - warning pairing shots fired.  This is why Spock is depicted the way he is.  I don't think I need to elaborate.

After this touching scene (and there's a lot more physical contact in this narrative), we get a little exposition from McCoy.  We learn about an episode from his childhood where he almost drowned in a river at a family gathering, and where another child wasn't so lucky.  Tragic.  Finally Kirk understands and is sorry-not-sorry for forcing McCoy to come along.  McCoy was really the only choice, since Kirk and McCoy are investigating the madness of the researchers, and they all went mad while in this submarine/harvester.  Unsurprisingly, there is yet another madman in the submarine, and it happens to be the ship's doctor.  There are a fair few confrontations with this man resulting in injury and near drowning for McCoy.

While Kirk and McCoy are under the ice, natural catastrophes occur which cause damage to the submarine, killing the captain (Kirk takes command of the submarine then) and attracting what is described as a 'kraken'.  During their adventure underwater, Kirk and McCoy essentially work out what is causing the problems with the planet, which, if it wasn't obvious enough, is the unsustainable harvesting of the plankton.  Needless to say, Kirk and McCoy do manage to resurface and pass on their findings.

Like a fair few of the Star Trek novels, several key plot points hinge of the characters being struck with sudden and remarkable idiocy... in this rendition of the Enterprise crew, Uhura is the main victim of ISS (Inexplicable Stupidity Syndrome) and may have you muttering curses under your breath as she makes utterly bizarre decisions.  Uhura and Chekov's  story line only works because Uhura won't listen to Chekov and regularly threatens to pull rank to stop Chekov making the right decision.  This narrative involves contacting the native people in order to obtain their cooperation to travel to where the researcher's shuttle went down.  This is essential as the particular area the shuttle lost contact / crashed is a sacred area and their Shaman is refusing access for the rescue team.

Chekov is understandably wary and this upsets Uhura, who has researched the Kitkats and found them to be friendly.  Uhura, wishing to immerse herself in the culture stays in their ice tunnel home (with the female red shirt), while Chekov and the other two red shirts stay on the surface - he doesn't trust the shaman.

Tragedy strikes the next morning as the ice moves due to a reversal of the planet's magnetic poles which results the female red shirt meeting her end.  Uhura issues the order for her to stay put while she herself runs off after a Kitka child she has befriended.  Uhura is responsible for red shirt death number one.

Chekov, Uhura and the two remaining redshirts (plus one loaded grav sled) are chased across the ice by the Shaman's evil Kitka, another red shirt meets his untimely end, the remaining red shirt is injured, and Chekov is poisoned and rendered unconscious.  Somehow, the remaining rescue party end up exactly where the shuttle crashed, by sailing and iceberg back to land... this is also the location a friendly Kitka had journeyed to, where a Kraken is about to appear and where Kirk & McCoy will appear in the submarine.

So many contrivances!

Needless to say, the book resolves positively, with the Enterprise aiding replenishment of the plankton (and the pharmaceutical company swearing they will work on sustainable harvesting), the final read shirt surviving, and Uhura realising that Chekov was right all along.

I really enjoyed this entry into the novel series actually!  Saying that however, doesn't mean I forgive it for a great number of sinful contrivances, ISS, and some truly terrible descriptions ('and drew McCoy's attention like filings to a magnet.' - just because you can use a simile, doesn't mean you should).  I likes the two parallel narratives, even if Uhura bugged the heck out of me, and the pacing was pretty good!

A jolly good jaunt - 3/5.

Tuesday 13 September 2016

Star Trek - Killing Time

"Let us understand one another, ensign Kirk," Spock Began...

Before we begin proper, I want you to understand a couple of things.  I love this book.  I love it for its utter absurdity.  I love it for its blatant slash pairing.  I love its clunky dialogue, it's overly romantic descriptions and it's not so subtle expectation for you to read between the lines; ok, not so much 'read between the lines' as read the neon lights.

I also love the controversy of how this book came to be printed, how many of the original printings were recalled destroyed, or how furious Gene is said to have been when he realised that all the edits which had been made (over 50 in total) had been completely ignored and thus, this beautifully slashy monster had found its way to the shelves. Read more here.

Killing Time by Della Van Hise is that wonderful monster and I can tell you here at the beginning it is getting two ratings: 1/5 and 5/5.  The story is a nonsensical romp, the writing at times, ridiculous (you'd be forgiven if you had to check the cover to make sure you weren't reading Mills & Boon), and the slash so thinly veiled that it would make your grandmother blush.  However, despite it's seeming lack of quality, I just can't hate it.  In fact, this sincere, unabashed labour of love wins me over totally.

I'll be the first to admit I'm picky when it comes to books, but occasionally a spectacularly bad book can win me over, and Killing Time is one of those books.  You know the phrase 'it's so bad it's good'?  I have been known to describe Killing Time as 'pure gold', 'genius', 'utterly hilarious', perhaps I'm just Hise's intended audience?  Unfortunately, I don't have a first edition copy (mine is the first revised edition...), but I'm working on it! List of changes between the two editions.

So... give me a brief overview?

You've got it!  The novel is initially pretty slow to start in comparison to many of the other TOS novels from the period, which is actually pretty nice.  We're introduced to a couple of new characters, Richardson (a human) and S'Parva (a telepathic dog like race 'body of a goddess, face of an irish setter').  These two new characters are well developed and are more important than characters like Sulu or Uhura who fall to the wayside somewhat.  We also learn that Enterprise crew are having strange dreams in which they feel slightly displaced.  These dreams turn out to be 'second history' asserting itself, until finally, 'first history' finally gives way and is replaced by 'second history', with disastrous consequences.

It's the mirror universe then?

No, it isn't the mirror universe, it's the 'second history' of the prime universe.  It would be interesting to find out how the mirror universe would be affected by 'second history' though... I digress.

It turns out that the Vulcans are the dominant species in the Federation, the Enterprise is now the Shikahr and Spock is the captain!  Kirk on the other hand has been relegated to the position of ensign!

The alteration of the timeline hasn't gone smoothly however, and the disparity between first and second history is causing those whose second history life is too disparate from their original life to go mad!  Those who fulfil the same role in both histories do not appear to develop the madness, or at least at the same rate.  McCoy and Uhura fulfil the same roles, and are not plagued by dreams.

Ok, so who are the big bads, and how did they do it?

The Romulans, it was the Romulans.  They sent (*android*) agents back in time and killed the men  who would lay the foundations for the Federation as it stands in first history.  The ships involved in this operation are unchanged by the displacement and those on board retain their full memory of first history.  They did it by travelling at warp ten and slingshotting around the sun, causing them to be able to move backwards (and it seems, forward) in time.

Of course it was the Romulans.

ANYWAY.  Kirk and Spock need to confess their undying love remember their friendship and save the galaxy from madness and destruction, they do this by teaming up with 'Romeo' Richardson and the psychic dog woman.  McCoy is also essential, because he has to um... give medical advice and uh... give support to Captain Spock who is suffering from Pon Farr... (the time line is different, so Spock is going through Pon Farr at a different time... for MAXIMUM drama and sexual tension).

Anything else I should know?

The Romulan Praetor is female and has the hots for Spock.  She actually temporarily bonds with him and uh... solves his pon farr problem.  Additionally, the Romulans appear to be a patriarchy, nobody knows the Praetor is female and she has kinky male slaves?

Honestly, I don't want to spoil TOO much, it's better to read this beauteous piece of slash fanfiction yourself.

Spock as captain of the Shikahr appears to command well, quite unlike in the series, although his own introspection reveals he is not confident of his abilities (despite logically, being perfectly capable).  He feels that he would do better in a supporting role to someone else... someone like Kirk who, in a twist of fate is a conscripted ensign on the ShiKahr.  Kirk is a troubled drug addict who, it seems, was framed for the murder of a Vulcan instructor at the academy.  He was interrogated using the now banned Talos device (coincidentally... Spock tried it on himself and was so horrified by it that he lobbied for it to be banned), which has left him mentally vulnerable and he was later imprisoned in terrible conditions on earth.

Spock and Kirk dream of each other constantly.  They have a permanent mental link, which isn't even severed when second history asserts itself.  Before second history Spock meets his Kirk, he dreams of him and calls him T'lema - he who walks in dreams as well as wondering whether this unknown human was in fact his T'hy'la - friend, brother, lover.  The images he sees in his mind's eye are quite romantic -

'firm features, tanned flesh, expressive hazel eyes, and a compelling human grin.  Single lock of gold-bronze hair falling to the middle of a high forehead.  Still... a stranger.  A man who inhabited dreams'.

Later -

'There was no mistaking the intense hazel eyes, the almost defiant stance, the muscled body, the lock of errant hair which fell into the middle of the human's forehead'.

Spock, surprisingly is the main instigator of their relationship, and it seems the most emotionally affected.  Second history Kirk and his experience of the Talos Device have left him unable to trust his own mind, which essentially strips away a defining portion of Kirk's character.  Kirk discounts his dreams and visions as lingering effects of the mind probing device and chides himself for giving in to delusions of grandeur.  I'm going to come back to 'romantic' but this time I'm going to use a capital 'R'.  The premise of the book is ultimately a 'Romantic' one; the natural order and pure feeling of the universe will assert itself.  In any universe, Kirk must be on the Enterprise, Spock must be partnered with Kirk; they are the linchpins of the galaxy's natural law.  Kirk is a dissociated, Byronic hero, dark, mysterious and brooding (initially, he becomes a Romantic hero later), while Spock is his Romantic counterpart.

Perhaps I'm giving this too much thought.

The most, I don't know, shocking event in this entire travesty is the rape mind meld scene where Spock simply can't help himself and penetrates invades the mind of the sleeping (he was asking for it) Kirk.  This pretty much completely goes against Vulcan ethics on mind melds, since it should only be carried out between willing participants, or at least, they should be awake.  However here Kirk is watched while he sleeps, and then mentally invaded by Spock.  It's not consensual although femme Kirk appears to accept the assault as acceptable after all, he is mad.  After this event, Kirk starts to regain himself and starts to become the Captain we know, with the occasional aggressive outburst.  Without spoiling too much Kirk and Spock retain a strong psychic link even with a couple of solar systems between them... and towards the end of the book we get some very slashy moments... and this is even in the revised edition...  So much Spirk.

The Romulans are quite strangely presented, I won't go into it too much, but they are presented as being a patriarchy while in canon they are pretty egalitarian.  While Van Hise obviously likes the slash pairing of Spirk, she also enjoys the idea of female empowerment and fooling the male Romulans - which is one of the reasons the Praetor is so interested in Spock.  I can't help but think that she has put herself in the position of the Romulan Praetor, and writing some serious wish fulfillment.

Richardson and S'Parva... Furry representation.  You've got to love it.  They are there to help explain the two histories as S'Parva is able to guide Richardson in his dreams about first history.  There is also a very awkward 'don't go to the light' type scene.

I could go on.  But I think I'll end it here.  The revised editions are easy to get hold of, and I sincerely recommend this utter tripe fantastic addition to the Star Trek novel series, whether you are into slash or not.

If you are a fan of slash, boys love, gay fiction, you need to read this.  Kirk and Spock are the first really mainstream slash couple, slash's original meaning was KirkxSpock this is part of gay fiction history.

If you're not a fan, read it and give thanks that after this volume, they kept a closer eye on the non-canon novels.

Highly Recommended - if nothing else it's a good laugh, at best it's an accidental work of genius.

1/5 & 5/5.

Thursday 1 September 2016

Star Trek - Child of Two Worlds

"The Klingons have responded, sir,"  Garrison said. "They're warning us not in interfere".

Remember I said I'd bought a handful of the more recent novels on the basis of they had Spock on the cover?  This is another one!


Child of Two Worlds is written by Greg Cox, an experienced writer with many Star Trek novels and other franchise novelisations under his belt; his experience and knowledge of Star Trek shines through in his confident handling of the 'pilot era' Pike, Spock, Number One and the older Enterprise crew.  Even with limited knowledge of Star Trek TOS you could enjoy this story as Cox fills in all the necessary details for you without overloading you with information.


Child of Two Worlds is set in 2255 and not long after the pilot episode 'The Cage'.  Spock is young, inexperienced and struggling (in a Vulcan sense) with finding his place.  Christopher Pike is the Captain of the Enterprise and his first officer is 'Number One' an Illyrian, whose name is difficult to pronounce so she is known by her title.  The initial premise is that a case of the rigelian fever has broken out on the Enterprise, they are far away from help and Boyce (the ship's doctor) suggests a revolutionary treatment using a rare substance called 'ryetalyn'.  Unfortunately, this substance is not easily obtained, however they could procure some from an alien colony situated on the borders of Federation and Klingon space.  Although they would have to take care not to agitate the Klingons, Pike sees little choice, as rigelian fever is lethal if not treated and highly infectious.

The plan goes awry however as the Enterprise picks up a distress signal from a small ship being pursued by Klingon vessel, which leads to the Enterprise and it's ailing crew being caught up in a family drama and political machinations, delaying the receipt of the much needed ryetalyn.

Spock's storyline ties in directly with the main one, in that his presence as mediator helps to resolve the situation between the Klingons and the Cyprians.  He doesn't act  as a diplomat in an official sense, but his experience, his unique situation as a child of two worlds enables him to develop a rapour and an understanding with a young Cyprian woman who has been brought up a Klingon following her kidnap during a Klingon raid.  Her discovery by her sister and leak of her return to the Cyprian world's press becomes a flashpoint.  The Cyprians want the girl returned to them and will not supply the Enterprise with ryetalyn until she 'comes home', but the Klingons threaten war if their adopted daughter is not returned to them.  The girl is also a child of two worlds, although in her case it isn't biological, it is cultural; nature vs nurture.

Spock, like the Cyprian/Klingon girl is at a pivotal point.  He has been presented with an opportunity by Captain Pike to possibly transfer to the U.S.S. Intrepid, a Constitution-class starship manned by an all Vulcan crew as the position of first officer is available.  To take the position on Intrepid would be the next logical step in the advancement of his career in Starfleet, and being among other Vulcans would be more efficient.  However, Spock concedes he is not 'most Vulcans', and though he finds being with more emotional species tiring 'chipping away at his hard won self control' he find himself conflicted.  He is reminded of his mothers words "You will always be a child of two worlds,"  and then finds himself with a conundrum 'What was preferable: to be the only Vulcan among a crew of humans, or the only half-human aboard a ship of Vulcans?'.  Spock's interactions with Merata and the lessons he learns from the 'Klingon by nurture' helps him make up his mind.  I'm sure it can't be considered spoiling to tell you that he stays on the Enterprise.  Of course, we also know the Intrepid and it's entire Vulcan crew were lost in 2268.

Number One, the female first officer of the Enterprise has her character expanded upon, which I found quite welcome.  In the pilot 'The Cage' her character doesn't appear very strong and the male characters take the limelight, though as first officer she should have been the eye of the storm in Pike's absence.  Number One's failure as a character is that she is altogether too perfect, in that, in trying to make a female character nobody could fault, she is also a character nobody can really like.  She doesn't make errors, she is 'number one' (Number One in name and nature) in everything she does, as such she's even less relatable to than the Vulcan, who has his own idiosyncrasies which make him rather endearing.  Her seeming lack of a name is explained and she has her own adventure on the planet surface with an away team to keep her busy.  I really enjoyed those sections of the novel actually, it was pretty refreshing to have someone different in charge.

Number One's team gets caught up in the gradually worsening political situation on the Cyprian's planet.  The politicians are using the situation with Merata to whip up the populous into a frenzied mob, who begin to perceive the Enterprise as an enemy, leaving Number One and her team in a dangerous situation.

Pike's presentation in Child of Two Worlds really builds upon why we have Kirk and not Pike in the series proper.  Pike is likeable, capable and has peculiarities (like preferring print outs of reports etc.) which make him human, but also incredibly beige.  He seems to have lost the regret and self doubt which really eroded his character in the pilot, but that may be because he is simply doesn't have time to indulge self pity or reflection.  I found that Child of Two Worlds endeared me more towards him than the pilot, due to his determination and tenacity to keep control of his ship while fighting a worsening illness.  He is very much a diplomat, a steady, intelligent man, reliable, fallible but making the right decisions... but there is something missing in his character that makes him fall a little flat.  Something missing that breaks Pike but makes Kirk.  Pike doesn't have the vibrancy that Kirk has, but he is more the traditional naval captain, he trusts his officers to do their duty and stays detached.

Pike is most successful in his dealing with Krunn, the agitated Klingon captain who wants his adopted daughter Merata back.  Krunn is a well written character and to his credit, quite reasonable (for a Klingon), and I think, develops a grudging respect for Pike, despite his irritation.  Similarly, other side characters are satisfyingly written.  Merata's tenacious older sister, her resentful younger brother and hopeful mother are all believable, Cox is careful to reflect Spock's mother Amanda in Merata's mother.

Child of Two Worlds is really worth a read, especially if you like Spock-centric stories.  It doesn't bring anything particularly new to the table but who can really resist reading about 7 year old Spock trying to be 'Vulcan' in front of his mother, or having a little bit of exposition about his feelings at being half-human.  For me it was interesting to read about Christopher Pike as well, but it did really confirm my feelings that he wasn't the right Captain!  A little bit of Number One being kick ass was an added bonus, but again, I'm glad she morphed into Nurse Chapel!  You can't really fault the writing, Greg Cox is an experienced author, and it shows in the novel.

Read it, you won't regret it! 4/5